Dores André

Dores André created roles in Forsythe’s Pas/Parts 2016, Jenkins’ Thread, Lopez
Ochoa’s Guernica, Peck’s Hurry Up, We’re Dreaming and In the Countenance of Kings, Pita’s Björk Ballet, Scarlett’s Fearful Symmetries, Thatcher’s Manifesto, and Wheel-don’s Bound To. Among her major credits are Tomasson’s Giselle (Myrtha), Nutcrack-er (Sugar Plum Fairy and Grand Pas de Deux Ballerina), and Romeo & Juliet(Juliet); Tomasson/Possokhov’s Don Quixote (Mercedes); in Balanchine’s Coppélia (Swanilda); Cranko’s Onegin (Olga); Scarlett’s Frankenstein (Elizabeth Lavenza); and Wheeldon’s Cinderella (Cinderella and Stepsister Clementine). Dores has danced featured or principal roles in Tomasson’s 7 for Eight, Criss Cross, The Fifth Season, Haffner Symphony, The Sleeping Beauty (Bluebird pas), Swan
Lake, and Trio; Balanchine’s Agon, Brahms-Schoenberg Quartet, Divertimento No. 15, Emeralds, and Serenade; Bubeníček’s Fragile Vessels; Caniparoli’s Ibsen’s House and Lambarena; Fokine’s Petrouchka; Forsythe’s The Vertiginous Thrill of Exactitude; Neu-meier’s The Little Mermaid; Kobborg’s Les Lutins; Lifar’s Suite en Blanc; Makarova’s (after Petipa) “The Kingdom of the Shades” from La Bayadère, Act II; Nureyev’s Ray-monda Act III; Page’s Guide to Strange Places; Peck’s Rodeo: Four Dance Episodes; Pita’s Salome; Possokhov’s Classical Symphony,Firebird, Fusion, Magrittomania, The Rite of Spring, and Swimmer; Ratmansky’s Shostakovich Trilogy; Robbins’ Dances at a Gathering, Glass Pieces, In the Night, Opus 19/The Dreamer, and West Side Story Suite; Scarlett’s Hummingbird; and Wheeldon’s Carousel (A Dance), Rush, and Within the Golden Hour. Dores danced at the Volver Gala in Zaragoza, Spain, in May 2018. She performed in the 2015 film of Tomasson’s Romeo & Juliet (Lincoln Center at the Movies: Great American Dance.)